The self-driving future has arrived in San Francisco. And, increasingly and all too often, it looks like a confounded cop, road flare in hand, commanding a wayward autonomous vehicle as if it were a misbehaving, two-ton puppy.
This week, our headliner is someone you’ve never heard of who wrote hits you’ve definitely heard of, Mark James. We’ll take you to the Amphitheater for some experimental music from India and Germany. We’ve got some Texas pop-punk and California stoner rock in the Mosh Pit. We dedicate a new stage for Opera, featuring tenors from Peru and Czech Republic. We’ll open up the Country Bunker for some traditional Irish fiddle. We’ve got traditional French chant and French torch song in Le Cabaret. We’ll close up shop this week at the Festival Stage in Brazil.
The Grim Reaper is taking us all over the planet this week—especially Sweden—for an hour featuring our headliner, one of Frank Zappa’s incredible percussionists, Ed Mann. We’ve got pop-rock from Holland, Serbia, and Britain. We’ve got a rap pioneer from Miami along with a young rapper from Sweden. We’ll bring you Festival music from Uruguay and Brazil. We’ll go fully International with artists from Indonesia and Malaysia. We’ll head to the Amphitheater for a pair of pianists from Poland and Japan by way of Sweden, then wind things up in the Jazz Cellar once again in Sweden and then New Zealand.
